ࡱ> 4751  !"#$%&'(*+,-./0RdO)w3@PowerPoint Document(1SummaryInformation(DocumentSummaryInformation8)`( / 0DTimesNew Romaqfq`c?xo qpco љ?kQDTimes New Romanq`c?xo qpco љ?kQ DArialNew Romanq`c?xo qpco љ?kQ"  @n?" dd@  @@``  #%  S ~1?@8 g4kdkdo 4 xppp@ <4KdKdgfqcq? % $Data Exploration Using Sonification %$      IC280 5/28/02 Jeff Ridenour   @Reasons for using senses other than vision (sound specifically):A@ A GCapability for parallel processing as good as visual processing Specific sound clusters can be distinctly remembered Can be used peripherally or subconsciously (attention is focused somewhere else) Can augment data visualization (observing more parameters simultaneously) May be used to easily give a global perspective of dataHH H Some Sonification Types     5Alarm Signals (simple signals or cues, with no additional information) Auralization (directly converting data into amplitude vs. time) Earcons (codes learned by the user) Auditory Icons (metaphorical sounds) Parameter Mapping (each data point is an aural event, attribute values mapped to aural parameters)66LH   )     7Some parameters which may be used for Data Sonification87 +    ;Temporal (including tempo, rhythmic type, regularity, articulations, etc.) Timbral (instrumental variation (harmonicity, envelope, etc.), monophonic/polyphonic, vowel/consonants for vocal sounds(speech)) Volume (dynamics) Frequency based (register, registral width, melodic patterns, harmonic patterns, tonality)<<bM        Z   8 ( Frame of reference  Sound represents single data element (ex.granular, algorithmic fish) Sound represents entire data field, each event represents one data element (ex. Javoicer applet)        I ` ___f3f` ___3f` 999MMM>?" dd@,|?" dd@   " @ `"  n?" dd@   @@``@n?" dd@  @@``PR    @ ` ` p>>    H (  HpF  q0a H q 0a2 H C BUCENG HZI8Qf3? جU,جU,8`T,8`T q0a2 H C BUCENG HZIDQD? U8U8D`T8D`T 2 H C BUCENG HZIEQ[? U9U9E`T9E`T dn" H  G/*d6?@33@@@sf 4 H Z gֳgֳ ?   V Click to edit Master title style! ! < H TD gֳgֳ ?0   RClick to edit Master text styles Second level Third level Fourth level Fifth level!     S   H  ` gֳgֳ ?`   [*    H  ` gֳgֳ ?    ]*    H  `d gֳgֳ ?    ]*  H H 0޽h? ??0HHH ___f3f Fireball   r j 0 L ( U, LpF  0  L  0 2 L C BUCENG HZI8Qf3? جU,جU,8`T,8`T 0 2 L C BUCENG HZIDQD? U8U8D`T8D`T 9Y 2 L C BUCENG HZIEQ[? U9U9E`T9E`T " L  G/*d6?@33@@@sf  L ZD gֳgֳ ?`   V Click to edit Master title style! !  L T gֳgֳ ?0 `     Y#Click to edit Master subtitle style$ $   L  `d gֳgֳ ?`   [*    L  ` gֳgֳ ?    ]*    L  `$ gֳgֳ ?    ]*  H L 0޽h? ??0LLL ___f3f @$(  r  S D L`   r  S D L0 `     H  0޽h ? ̙33 PT0(  Tx T c $t L`   x T c $ L0 `     H T 0޽h ? ̙33 `|0( )pM |x | c $ L`   x | c $T L0 `     H | 0޽h ? ̙33  0(  x  c $ L`   x  c $ L0 `     H  0޽h ? ̙33 p0( ŕ ĕ x  c $ L`   x  c $T L0 `     H  0޽h ? ̙33r0'0ho)0g+_-W/?O1' Oh+'0 hp  0 < HT\'No Slide TitleoJeff RidenouroAOS 9:Microsoft Office 98:Templates:Presentation Designs:FireballreJeff Ridenour O6ffMicrosoft PowerPoint 98@~z @A.@OYFGPICT }P@@2q~ 2vHH  21,,,,,,,,-,,,,,,,3,,,,,,,,,,,,, ,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,, ,,,,,,,,, ,,,,,,,,,,,,,,,,,,,, ,,,,,,,,,,,,, ,,,,,,,,,,,,,,,,,,,,,,,,,, ,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,, ,,,,,,,,,,,,3,,,,,,,,,7,,,,,,,,,9,,,,,,,,,},, ,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,, @ @,@@,,@`@,,,,,,,:,    @ `@``,````,A,,  @ @ @ @`@``,`` ` $,A   @@`@```````` $$$$(D  @ @@@`@``` (,, $$$$(,,Q   @@`@```` $($(,,,0 4848((,(,,,R  @ @@@`@``` ( ,,,404044448<<0,00c  @ `@`@ ` `$$$` $($(,,,048488<8<<=< _PID_GUID'AN{B3E15B00-7ED6-11D6-A37E-C7155099804B}Current User-%_1 Jeff RidenourRdO)8@PowerPoint Document(1SummaryInformation(DocumentSummaryInformation8)  !"#$%&'(*+,-./06Current User,$_1 Alfred Kobsa